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For when you want to look like you know exactly where you’re going, even if the plan came together five minutes ago. When coffee turns into catch-up turns into dinner, the Black Broncho ensemble keeps pace effortlessly. Pleated trims edge the neckline and shoulders, adding texture without fuss. It’s paired with wide-leg trousers, subtly embellished down the leg, for a look that’s as pulled together at 11 a.m. as it is at 11 p.m.

Your go-to for breezy brunches and good vibes. Some day’s call for lightness with lift and the Butteria ensemble delivers both. In a mellow butter yellow, the flowing top features long ruffled sleeves cinched with delicate ties, giving it the feel of an unfussy statement. The fabric holds a gentle sheen, quietly catching the light, while the wide-legged pants sparkle with layered lace flowers and glinting beadwork clustered at the hem. Equal parts fluid and festive, it’s made for spontaneous brunches that might just turn into parties.

There’s something about off-white in daylight that feels like intention. The Lumira ensemble arrives in ramen silk with a lustrous pearl finish and a studied softness. The shirt’s exaggerated lace collar and cuffs are finished with toggle-loop closures, while pin tuck pleats run across the front in neat procession. The wide-legged trousers, cut from the same fabric glide just so, creating a silhouette that’s both prim and utterly relaxed. It’s ideal for those mornings that begin with breakfast and no particular end in sight.

For those who treat coffee runs like fashion moments. When the plan is casual but the mood calls for impact, the Orange ensemble makes the statement. The shacked—half-shirt, half-jacket—is cut in juicy orange and features a woven, revere-style collar stitched into a grid of textured fabric, trimmed in black thread. Black lace appliqués and glittering sequins curl around the sleeves and hem, while pin tucks and loop buttons offer sharp finishing’s. The wide-legged trousers match in tone and ease. An ensemble for when you’re dressing up like you’ve got plans, even if you don’t.

Because black is never just black. There’s elegance, and then there’s elegance in black. The Cinder ensemble leans confidently into the latter, with a long-sleeved shirt that centers a bold collar and Kashmiri-style floral embroidery in soft beige. The buttons bold, and expressive line the front with purpose, while ornate edging frames the hem. Matching wide-legged trousers carry a faint embroidery echo, tying the look together with discipline. For the night that starts with a message: Chalo, let’s meet somewhere.

Tailored for chai, built for showing up. For those who prefer their tea plans with a side of edge, the Tiva ensemble serves up just the right mix of structure and fluidity. In a deep moss green, the jacket features a standout lapel, woven in basket weave-like effect and outlined in black thread that leads the eye straight into the details. Embroidery traces the sleeves and hem, while the front fastens neatly with loop buttons. Paired with matching flared trousers, this look is all presence without ever raising its voice.

Begum arrives in deep maroon Indian silk, lavishly adorned with silk appliqués, block-printed motifs, and shimmering hand adda embroidery. The lehenga’s structured silhouette begins with a chevron pattern cinching the waist, then flows into diamond-shaped lozenge motifs meticulously embroidered in silken threads and mirror work. The hem flares into majestic Mughal arches niche-like in form are finished with twin borders of radiant golden embroidery and glittering embellishment that gleam with every step. The long-sleeved choli features angular cuts at the sleeve ends, reflecting the strong architectural shapes that define the ensemble. A sheer organza dupatta, scattered with a delicate spray of sequins and mirrors, floats like stardust, its four borders richly embroidered in gold and edged with traditional kiran trims that shimmer with movement

A garden in full bloom, Gul Badan iscrafted from rose pink Indian silk and soaked in old-school romance. The choli is short, with demure half sleeves dusted with judiciously placed mirror work and glints of metallic thread embroidery. The lehenga begins at the waist with chevron patterning and evolves into diamond-shaped panels, each box housing a Mughal floral motif rendered in a mix of silken thread embroidery, block print, and tiny mirrors that glint like dew. Beneath this garden of geometry, vertical scrolls rise like creeping vines embroidered delicately in lines that mimic antique architectural flourishes. The hem is finished with multiple embroidered borders that layer like sari pallus from a bygone era. A contrasting organza dupatta in lush green explodes with large, bold floral Mughal motifs in gota and adda work, framed in broad gold borders with embroidered trims running along all four edges.

Gul-e-Khaas is something rare done in dark green Indian silk ensemble, bold and botanical, starts with a sleeveless choli in floral printed silk, traced with golden embroidery across the neckline and straps like delicate vines creeping along marble. The lehenga spills open like a secret Mughal garden, featuring appliqués of the same floral print, layered over block-printed motifs and enhanced with gota patti, mirror work, and fine hand embroidery. The spade-like motifs cascade downward and transform into intricate geometric patterns inspired by Mughal ceiling art symmetrical, hypnotic, and rich in detail. Lines of sequins and mirrorwork slash through the skirt like glints of sun in foliage. The hemline is a spectacle unto itself, with an ornate Mughal border densely embroidered in golden threadwork. The matching organza dupatta is no less opulent, blooming with large and small printed flowers at both ends, accented with gota patti and adda work, framed by embroidered borders and finished with charming kiran trims and fluttering tassels

Gulé Jaan is dipped in the pale luminescence of icy blue Indian silk. The choli, long-sleeved with a graceful boat neckline, features a double-sleeve illusion and subtle structure, embroidered in golden thread with twinkling pearls that dangle at the cuffs like icicles on a window ledge. The lehenga is composed of angular silk appliqué panels stitched together like stained glass, each one enclosing a peacock motif picked out in sequins and zari. Across the expanse, palmette-shaped borders stretch in angular symmetry, embroidered in fine gold thread, leading to a finely decorated hemline that sparkles like snow caught in twilight. The organza dupatta, light as a frost-kissed breeze, is embroidered with soft flowers in silken and metallic threads, framed with a scalloped internal border and edged in traditional golden kiran

Mahjabeen is soft, white, and crafted in cream Indian silk, the ensemble is steeped in old-world techniques: silk appliqués, block print, adda embroidery, and glimmering mirror work. The choli is cut in a halter style, accentuated by Mughal jaali patterns in threadwork that enclose delicate gota patti florets like latticework backlit by sunrise. The panelled lehenga begins with a gentle spray of ascending Mughal motifs stitched in thread, building into wave-like chevrons, and ending in an explosion of large floral motifs reminiscent of miniature garden murals. These are all bordered with wide bands of embroidery, mirror work, and hand-done Mughal jaali inspired designs. The organza dupatta is an artwork in itself, featuring chevrons in sequins on both ends, scattered Mughal florals, and four glistening borders in gota and adda, each edge finished in soft golden kiran