Women

Begum arrives in deep maroon Indian silk, lavishly adorned with silk appliqués, block-printed motifs, and shimmering hand adda embroidery. The lehenga’s structured silhouette begins with a chevron pattern cinching the waist, then flows into diamond-shaped lozenge motifs meticulously embroidered in silken threads and mirror work. The hem flares into majestic Mughal arches niche-like in form are finished with twin borders of radiant golden embroidery and glittering embellishment that gleam with every step. The long-sleeved choli features angular cuts at the sleeve ends, reflecting the strong architectural shapes that define the ensemble. A sheer organza dupatta, scattered with a delicate spray of sequins and mirrors, floats like stardust, its four borders richly embroidered in gold and edged with traditional kiran trims that shimmer with movement

A garden in full bloom, Gul Badan iscrafted from rose pink Indian silk and soaked in old-school romance. The choli is short, with demure half sleeves dusted with judiciously placed mirror work and glints of metallic thread embroidery. The lehenga begins at the waist with chevron patterning and evolves into diamond-shaped panels, each box housing a Mughal floral motif rendered in a mix of silken thread embroidery, block print, and tiny mirrors that glint like dew. Beneath this garden of geometry, vertical scrolls rise like creeping vines embroidered delicately in lines that mimic antique architectural flourishes. The hem is finished with multiple embroidered borders that layer like sari pallus from a bygone era. A contrasting organza dupatta in lush green explodes with large, bold floral Mughal motifs in gota and adda work, framed in broad gold borders with embroidered trims running along all four edges.

Gul-e-Khaas is something rare done in dark green Indian silk ensemble, bold and botanical, starts with a sleeveless choli in floral printed silk, traced with golden embroidery across the neckline and straps like delicate vines creeping along marble. The lehenga spills open like a secret Mughal garden, featuring appliqués of the same floral print, layered over block-printed motifs and enhanced with gota patti, mirror work, and fine hand embroidery. The spade-like motifs cascade downward and transform into intricate geometric patterns inspired by Mughal ceiling art symmetrical, hypnotic, and rich in detail. Lines of sequins and mirrorwork slash through the skirt like glints of sun in foliage. The hemline is a spectacle unto itself, with an ornate Mughal border densely embroidered in golden threadwork. The matching organza dupatta is no less opulent, blooming with large and small printed flowers at both ends, accented with gota patti and adda work, framed by embroidered borders and finished with charming kiran trims and fluttering tassels

Gulé Jaan is dipped in the pale luminescence of icy blue Indian silk. The choli, long-sleeved with a graceful boat neckline, features a double-sleeve illusion and subtle structure, embroidered in golden thread with twinkling pearls that dangle at the cuffs like icicles on a window ledge. The lehenga is composed of angular silk appliqué panels stitched together like stained glass, each one enclosing a peacock motif picked out in sequins and zari. Across the expanse, palmette-shaped borders stretch in angular symmetry, embroidered in fine gold thread, leading to a finely decorated hemline that sparkles like snow caught in twilight. The organza dupatta, light as a frost-kissed breeze, is embroidered with soft flowers in silken and metallic threads, framed with a scalloped internal border and edged in traditional golden kiran

Mahjabeen is soft, white, and crafted in cream Indian silk, the ensemble is steeped in old-world techniques: silk appliqués, block print, adda embroidery, and glimmering mirror work. The choli is cut in a halter style, accentuated by Mughal jaali patterns in threadwork that enclose delicate gota patti florets like latticework backlit by sunrise. The panelled lehenga begins with a gentle spray of ascending Mughal motifs stitched in thread, building into wave-like chevrons, and ending in an explosion of large floral motifs reminiscent of miniature garden murals. These are all bordered with wide bands of embroidery, mirror work, and hand-done Mughal jaali inspired designs. The organza dupatta is an artwork in itself, featuring chevrons in sequins on both ends, scattered Mughal florals, and four glistening borders in gota and adda, each edge finished in soft golden kiran

Dark and dramatic as a broody ghazal, Dil Ras in black Indian silk features a full-sleeved choli that is dotted with a constellation of miniature motifs embroidered in metallic and silken threads, making it a starry sky of its own. The lehenga begins in deep maroon panels that gently bleed into black, layered with printed and embroidered cypress trees and Levantine palmettes that rise like architectural sentinels. Each motif is carefully block printed and hand-embellished with glittering mirrorwork, sequins, and golden thread. The hemline is circled with rich maroon and gold borders, stacked and layered like antique inlay on a treasure chest. The organza dupatta carries maroon and gold floral sprays across its breadth, shimmering with gota pati and adda work, edged with embroidered trims on all four sides.

Like its namesake Empress, Arjumand is a study in refined power and poetic beauty. Crafted in off-white Indian silk and blooming with printed appliqués, block print, embroidery, mirror work, and hand adda, it’s a composition both painterly and precise. The choli features a delicately cut floral neckline and half sleeves embroidered with metallic thread vines, scattered with sequins and glinting beadwork. The lehenga tells its own story: peach-colored blossoms and jade green leaves swirl into wide panels that open like Mughal fans, evolving into floral scallops and ending in a repeat border of flowers. Multiple Mughal-inspired borders rim the hem, densely embroidered in thread, sequins, and mirrorwork. The organza dupatta echoes these floral roundels, its motifs encased in decorative frames and lit with subtle embroidery. Trims run all around the border, finished with tassels that swing like flirtation itself.

Named after the fierce poet-princess, Zeb-un-Nissa is rendered in royal purple Indian silk, this ensemble is saturated with opulence: silk appliqués, block print, adda embroidery, and mirror shimmer. The choli has full sheer sleeves that are dusted with golden motifs and framed with layered decorative borders in embroidery, sequins, and beads. Its neckline is traced with gold floral vines that curl like verses from a ghazal. The lehenga begins with persian boteh motif, then transitions into slender cypress trees, before bursting into a symphony of circular vines and paisley patterns all block printed in gold and embroidered by hand with sequins, mirror work, and metallic threads. The hemline is wrapped in multiple embroidered borders layered with gota patti and finishing trims. The organza dupatta is no less regal, featuring decorative roundels and Mughal jaali-inspired motifs, edged with thick gold borders and beaded tassels that flirt with the wind

Hoor Bano takes the drama of a vintage silhouette and rewires it for today, cut in punchy Yaqoot Pink silk that moves easily and makes an entrance. The flowing kameez skims the body just right; light enough to move with you, detailed enough to make you stand out. Diagonal pintex lines and slim trim borders frame the shirt and reappear at the ends of the sleeves, while soft tassels finish the neckline with a subtle swing. It’s paired with farshi shalwar that pools dramatically at the hem, and a sheer dupatta scattered with sequins and edged with ornate Mughal-inspired detailing. This one’s for when you want to channel vintage fantasy, without ever feeling like you’re playing dress-up.

Meher Bano borrows the structure of something vintage and injects it with quiet cool, in a deep, saturated Neelum Blue that feels rich without trying too hard. The kameez is cut from silken fabric and features vintage-inspired bishop sleeves with decorative trim on the cuffs and hem of the shirt. Tonal thread embroidery with Mughal motifs runs across the lower hem, and playful tassels across neckline add texture to the front. It’s paired with matching farshi shalwar finished with detailing on paanchas, and a soft dupatta scattered with sequins and finished with coordinating Mughal motif embroidery on both ends. It’s the kind of look that doesn’t scream for attention,it just owns the room.

Iqbal Bano picks up classic cues and dials them into something bright and wearable, done in glowing Zafrani Yellow, the kind of color that doesn’t wait for an invitation. The long shirt features pintex detailing and lace trims along the button placket and ends of sleeves, with intricate embroidery of palms and cranes at the hem of the shirt, finished delicate lace trimmings. The silhouette is grounded with voluminous farshi shalwar with details at the paancha, while the sheer dupatta is softly embellished with scattered sequins and trimmed with lace borders pulls everything together with just the right amount of ease. It’s celebratory but casual.

Sabah Bano flips the script on formalwear with a confident take on silhouette and color, all rendered in lush Zamurd Green that’s earthy, striking, and anything but shy. The long-sleeved shirt features tonal embroidery down the front, with tassel accents on the neckline and ornate lace edging at the hem adding movement and richness. The round neckline keeps it classic, while the full farshi shalwar with details on the pancha bring volume and ease. It’s finished with a sheer matching dupatta, adorned with scatter of sequins,plus embroidered borders that frame the whole look. This is quiet confidence stitched into something you can actually wear out.

Crafted from embroidered check net, this full-flared angrakha peshwas is composed with studied grace: its panels thoughtfully arranged to move from densely embroidered booti sprays to more open, lighter work, allowing a soft rhythm to emerge across the surface. The flare is edged with scalloped cotton trims that lend a refined finish. Paired with a straight pant and a chiffon dupatta featuring embossed screen-printed patches that mirror the motifs of the peshwas, this ensemble offers a look for Eid that whispers, rather than declares, its sophistication.

Cut from airy kulla karandi cotton net, this long kameez plays on both proportion and precision. A central panel of floral embossed embroidery anchors the silhouette, flanked by plain side panels, each bordered with fine white trims and pearls that add glimmer without glare. The neckline and sleeves are accentuated with modified 3D adda work—delicately dimensional, yet harmonized. Paired with straight pants and a matching organza dupatta, itself finished with soft trims to maintain balance, the outfit speaks to a quietly refined Eid sensibility.

This kulla karandi cotton net shirt features a softly cut boat neckline and is richly embroidered with paisley motif -inspired schiffli embroidery that meanders across the bodice and midriff. The embroidery is further enhanced with delicate 3D floral adda work, pearls, and sequins that add light-catching intricacy without overwhelming the airy base. The scalloped hemline is matched by the similarly finished paper silk sharara, both trimmed to architectural effect. A chiffon dupatta, screen-printed with floral vines and edged with four-sided delicate trims, completes this layered yet ornate yet summery eid ensemble.

This kulla karandi cotton net shirt features a softly cut boat neckline and is richly embroidered with paisley motif -inspired schiffli embroidery that meanders across the bodice and midriff. The embroidery is further enhanced with delicate 3D floral adda work, pearls, and sequins that add light-catching intricacy without overwhelming the airy base. The scalloped hemline is matched by the similarly finished paper silk sharara, both trimmed to architectural effect. A chiffon dupatta, screen-printed with floral vines and edged with four-sided delicate trims, completes this layered yet ornate yet summery eid ensemble.

A sheer white shirt that has both traditional technique and modern finesse. The fabric is embroidered with boring work—an heirloom method that carves lace-like designs into the surface—while floral borders edge the shirt with lyrical delicacy. Sleeves and hem are finished in a pearl-stitched doori trellis, adding structure to the softness. The sharara features cotton trims on each panel, offering a rhythmic balance, and the dupatta brings together two textural layers—chiffon and khadi net—both detailed with decorative trims. This Eid ensemble balances craft and comfort in equal measure.

A short shirt with a striking, woven cotton neckline punctuated by dori tassels brings a hint of playfulness to tradition. The shirt's hem is adorned with floral patchwork framed in scalloped borders and decorative white trims, while the sleeves feature organza panels in a drop-shaped ogee pattern. Boring eyelet embroidery details and touches of adda work provide surface richness. Paired with an Egyptian cotton shalwar, which is finished with matching organza details, and a chiffon dupatta embossed with printed panels at each end and adorned with trims throughout, this Eid ensemble finds joy in detail and drama in silhouette.

This voluminous white peshwas is stitched in alternating organza panels: one plain, the next embroidered with scattered floral motifs joined with decorative trims that accentuate its sweep. The bodice features schiffli embroidery in a lattice arrangement, interspersed with floral motif sprays for added texture. At the hem, a floral thread work border adds a final flourish of romance. Paired with a traditional churidar pajama and a dupatta fashioned from both khadi net and chiffon layered and trimmed to perfection. Making this is a look made for lightness this Eid.

This voluminous white peshwas is stitched in alternating organza panels: one plain, the next embroidered with scattered floral motifs joined with decorative trims that accentuate its sweep. The bodice features schiffli embroidery in a lattice arrangement, interspersed with floral motif sprays for added texture. At the hem, a floral thread work border adds a final flourish of romance. Paired with a traditional churidar pajama and a dupatta fashioned from both khadi net and chiffon layered and trimmed to perfection. Making this is a look made for lightness this Eid.

A sheer organza shirt detailed with pintucks at the neckline and a graceful keyhole slit, this ensemble is adorned with delicate floral bouquets, hand-placed and accented with pearls. The shirt is finished with a mix of intricate laces and trims, adding gentle texture. The sharara features organza panels near the hem and soft pintuck accents, ending in subtle trims that draw the eye. A scalloped lace dupatta, finished on all four sides, sparkles with glittering motifs and block-printed detail. Giving you an Eid ensemble that feels festive without excess

In a cool beige hue, this lawn-cotton kameez features a lattice-embroidered neckline that serves as the framework for ornate French moulding motifs rendered in 3D adda work. These baroque-style flourishes extend along the keyhole neckline, hemline, and sleeves, all finished with handmade doori scallops that recall vintage garden trellises. The chiffon dupatta is finished on all sides with multi-head embroidery, and its corners are accentuated with organza patches and trims. Paired with straight pants featuring sheer panels at the hem and matching trims, the ensemble blends understated tone with elevated craftsmanship.

In a cool beige hue, this lawn-cotton kameez features a lattice-embroidered neckline that serves as the framework for ornate French moulding motifs rendered in 3D adda work. These baroque-style flourishes extend along the keyhole neckline, hemline, and sleeves, all finished with handmade doori scallops that recall vintage garden trellises. The chiffon dupatta is finished on all sides with multi-head embroidery, and its corners are accentuated with organza patches and trims. Paired with straight pants featuring sheer panels at the hem and matching trims, the ensemble blends understated tone with elevated craftsmanship.

This open-front shirt in kulla karandi is designed to float over a cotton net slip, its sheerness offset by floral boring embroidery and scalloped edges done in decorative trims. The play of shadow and structure is balanced by wide-legged trousers with beautiful trims at the hem and delicately hand-embellished with pearls. The dupatta in matching kulla karandi is block-printed with three separate motifs, each framed by scalloped embroidery and finished with multi-head embroidery. It makes for an Eid ensemble that reads like poetry in texture.